[SlovLit] Psevdojezikoslovje -- Arkadij Videmšek -- O kratki pripovedi empirično -- Pravice po rozajanskin

[Miran Hladnik]

https://www.youtube.com/watch?v=3fMsEkovUaw -- Mali in večji lažni
miti o slovenskem jeziku, literaturi in kulturi. Forum za dialog med
vero in kulturo 12. 4. 2016. Socialna akademija. Youtube, hvala Simoni
Klemenčič za povezavo na debato.

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From: "Urh Ferlež  ツ ☼" <ferlez.urh na gmail.com>
To: slovlit na ijs.si
Date: Sat, 18 Apr 2020 23:10:43 +0200
Subject: Arkadij Videmšek

Pred nekaj trenutki sem na družbenem omrežju prebral kratko pesem
kolega, ki ravno zaključuje celjsko gimnazijo, nosila je naslov
Nokturno. Spomnil sem se na Kosovela in njegov Beli Kras pa na
Arkadija Videmška, ki je prav tako v dijaških letih napisal svoj
zaljubljeni Nocturno (https://sl.wikisource.org/wiki/Nocturno). Malo
več kot sto let nazaj je tudi Videmšek obiskoval celjsko gimnazijo,
skupaj s sošolci in pod mentorstvom Rudolfa Maistra, ki je bil takrat
v službi v Celju, je izdajal dijaški literarni list Savinja, dijaki pa
so se zbirali v (ilegalnem) društvu Kondor, ki je bil celjska verzija
ljubljanske Zadruge. Ob izbruhu vojne so bili soustvarjalci lista po
preiskavi označeni kot politično nezanesljivi, Videmšek je bil zato
takoj po maturi 1916 vpoklican in je tik pred koncem vojne padel v
Dolomitih, star dvajset let, še naprej živi kot Milan Travnar v Roševi
povesti Zvesta četa, prislužil pa si je tudi svoje geslo v biografskem
leksikonu.

V upanju, da bi nokturnski značaj tehle dni čim prej presahnil, vas
lepo pozdravljam.

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https://stanford.zoom.us/j/97694408412 --  Mark Algee-Hewitt, Anna
Mukamal in J. D. Porter:  O projektu kratke zgodbe. Literary Lab
meeting 23. april, 10:00-12:00 PDT. Zoom.

"How does the language of the short story diverge from that of the
novel? How do short stories construct plots differently from longer
narratives? Are the events of short stories the same as those of
novels, or do short stories have their own logic of events? Do
characters appear and serve the same functions in short stories as
they do in novels? And finally, how does the form of the short story
change as it develops in the periodical publications of the early
twentieth century? Length, it turns out, is not only an undertheorized
aspect of literary fiction, but also does critical work in
differentiating the kinds of stories that can be told in short
fiction, as well as how those stories can be told. These questions
have all been asked, to a greater or lesser extent, of other literary
forms (novels, but also poetry and drama), but a computational
approach, one that harnesses techniques from topic modeling to word
vectors to named entity recognition, can aid us in better
understanding the particular form and history of the short story."

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https://www.academia.edu/38050432/Fiabe_resiane_Rezijanske_pravljice_Pravice_po_rozajanskin
-- Milko Matičetov, Roberto Dapit: Fiabe resiane / Rezijanske
pravljice / Pravice po rozajanskin. Ljubljana: ZRC SAZU, 2014.
Academia.edu.